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<BR><font size="6"><b>Stokely Klasovsky</b></font><BR><BR><BR><BR>
<b><font size="3">Photo Opportunities for a Dislocated Elbow</font></b><BR><BR>
<BR>
I lean on a lamppost, as if in an old painting:<BR>
A Drunk on Broadway, 1905.<BR>
Not a vacuous type of man:<BR>
A son of steel workers and shipbuilders,<BR>
A son of knuckles and pipe wrenches.<BR><BR>

The corpse is kitchen clutter,<BR>
its glass bottles eyeless<BR>
with savage angles<BR>
that promote decay, float mold,<BR>
and witness tragic hands of Solitaire.<BR><BR>

Blame the architects my fingers know,<BR>
sick with powders,<BR>
sore from tracking patterns in static<BR>
and acting out battering rams<BR>
of juvenilia; operate, cloud a house:<BR>
The smoky air, the sleep of dogs.<BR><BR>

“Habit-forming” manifests<BR>
as a theatre in yards of unraveled socks,<BR>
sick days that wander like zombies,<BR>
The blur over the face of a witness.<BR><BR>

A wishful sculptor sleeps here,<BR>
picturing a surface scalded and lunar,<BR>
distended like galaxies; a body between<BR>
wood and lead.<BR><BR>

The scissor-trim of acid trips<BR>
cradles words with white.<BR>
<BR>
The history of apartments<BR>
drifts in address books<BR>
with the names of women<BR>
whose memories become<BR>
burn victims thimbled in gauze.



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